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愛古心博士

中國藝術主任
柏林國家博物館亞洲藝術館 （柏林）

交流項目

愛古心博士於台灣台北國立故宮博物院進行為期六個月交流計劃（2016年11月至2017年4月），研究院藏元代張雨（1283 – 1350）有關之作品。

簡歷

愛古心博士現任柏林國家博物館亞洲藝術館中國藝術主任。她曾任特律美術館 (Detroit Institute of Arts) 亞洲藝術部副主任與亞洲藝術及伊斯蘭世界藝術部署理主管。於底特律美術館任職前，愛博士任職於美國大都會藝術博物館 (The Metropolitan Museum of Art) 亞洲藝術部。她在紐約大學美術研究所 (Institute of Fine Arts, New York University) 獲藝術史哲學博士學位，研究興趣集中在中國元代書畫藝術。

近期發展和參與項目

    愛古心博士現正著手研究墨禪山莊藏中國書畫，並正在策劃柏林國家博物館亞洲藝術館的金石學展覽（2025）及有關文徵明的展覽（2025/2026）。

精選出版

  • Augustin, B. (2024). Narrative construction and storytelling: The Mind Landscape of Xie Youyu – a case study. Monumenta Serica, 72 (2), 421–465.
  • Augustin, B. (2024). The Mind Landscape of Xie Youyu: A scroll painting with fundamental issues. Artibus Asiae, 84 (2), 117–146.
  • Augustin, B. (2024). Qian Xuan Pounding the Balustrade: Multivalent Views of Displaced Scholars and Dejected Poets in Wang Xizhi Watching Geese. Archives of Asian Art, 74 (1), 1–36.
  • Translation by Song Jialin 宋佳霖 of Birgitta Augustin (愛古心) “Listening to the Rain: The Collective Commemoration of Lu Shanfu’s ‘Tingyulou’ through Poetry and Calligraphy” (聽雨：盧山甫“聽雨樓”的詩卷題寫與集體紀懷), originally published in the Journal of Song-Yuan Studies, Volume 49 (2020), pp. 345-416. Re-published in Chinese in Zhongwai luntan 中外論壇, “Song Ming wenxue huitong zhuanhao” 宋明文學會通專號 (special issue on “Literature in the Song-Ming Transition”), 2 (2024), pp. 139-194, Liu Zhongxing ed. 劉中興. Shanghai guji chubanshe.
  • Augustin, B. (2023). Strength and Challenges – 17th century Chinese painting in the Mochan shanzhuang collection in Berlin. Arts of Asia, (Winter), 34–45.
  • Augustin, B. (2022). Chinese Art in Context. The New Presentations of Chinese Art in the Museum für Asiatische Kunst in the Humboldt Forum. Orientations, 53(2), 34–43.
  • Augustin, B. (2021). By invitation. Curator’s choice series. ‘Like stars seen on the bottom of deep wells’: Recalling a Shakyamuni in Detroit. Orientations, 52(1), 74–76.
  • Augustin, B. (2020). Listening to the Rain: The Collective Commemoration of Lu Shanfu’s ‘Tingyulou’ through Poetry and Calligraphy. Journal of Song-Yuan Studies, Volume 49, 345–416
  • Augustin, B. (2017). Wang Xizhi’s Letter Kuaixue shiqing and Its Reception in the Yuan Dynasty, National Palace Museum Research Quarterly 35(1), 133–179.
  • Augustin, B. (2016). Heritage and Identity: Korean Art at the Detroit Institute of Arts. Arts of Asia, Sep/Oct (2016): 110–123.
  • Augustin, B. (2016). Tradition, Innovation, Identity: The Extension and Reinstallation of the Korean Art Collection at the Detroit Institute of Arts – Challenges and Opportunities. In NMK 2016 Museum Network Fellowship Colloquium Research Papers, Seoul: National Museum of Korea (2016): 237–249.
  • Augustin, B. (2015). Embroidering Immortality: A Korean Folding Screen with Ten Symbols of Longevity. In Elegant Gathering in a Scholar’s Garden Studies in East Asian Art in Honor of Jeong-hee Lee-Kalisch, Weimar: Verlag und Datenbank für Geisteswissenschaften, 2015: 146–151.
  • Augustin, B. and Watanabe, Masako (2014). Japanese Art at the Time of the Samurai. Detroit Institute of Arts Bulletin, Special issue, vol. 88, nos. 1/4 (March 2014).
  • Augustin, B. (2014). Transforming Power – Art and Arts of Japan’s Warriors. (Together with Masako Watanabe). Detroit Institute of Arts Bulletin, Vol. 88, nos. 1/4 (March 2014): 5–9.
  • Augustin, B. (2014). Nanga: Idealist Painting and the Samurai. Detroit Institute of Arts Bulletin, Vol. 88, nos. 1/4 (March 2014): 87–103.
  • Augustin, B. (2014). Japan’s Warriors as Rulers, Patrons and Artists. Orientations, Vol. 45, No. 2, 2014: 136–145.
  • Leidy, Denise P. and Augustin, B. (2013). Buddha, Deva, or Devotee: A Sculpture from Xiangtangshan in the Detroit Institute of Arts. Orientations, 44(7), 66–69. (Translated into Chinese for 美成在久 Orientations, 1 (2014), 64–69.
  • Augustin, B. (2012). The Portrait of Yi Jehyeon, Korean Scholar of the fourteenth century. National Museum Korea 2012 Museum Network Fellowship Research Papers. Seoul: The National Museum of Korea, 70–85.
  • Augustin, B. (2012). Modern Views on Old Histories: Zhang Yu’s and Huang Gongwang’s Encounter with Qian Xuan. Arts Asiatiques, 67, 63–76.
  • Augustin, B. (2010). Sparse Trees and Pavilion: A Fan Painting by Wang Meng (ca. 1308–1385). The Metropolitan Museum Journal, No. 45, 83–90.
  • Augustin, B. (2010). Eight Daoist Immortals in the Yuan Dynasty: Origin of the Group and its Iconography. Orientations, 41(6), 81–87.
  • Augustin, B. (2010). Sparse Trees and Pavilion: A Fan Painting by Wang Meng (ca. 1308 – 1385). The Metropolitan Museum Journal, No. 45 (2010): 83–90.
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